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Reuben's Music Tape Circa 2003​-​2005, pt. 3 (feat. Kelsey Carr, Deep​-​Voiced Male Announcer, Inquisitive Girl, Scared Guy, Casey Smith, Unknown VPAC Member, LeAnne Piepiora, Justin Cole, Cameron Tanguay and Dan Sullivan)

from Bits and Pieces by Reuben Walton

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about

The third installment in this album's "Reuben's Music Tape Circa 2003" saga finishes up the material from the second installment, includes a musical interlude, and ends with a VPAC meeting discussion from late January 2012, planning the logistics of the Good Old War show we had scheduled for April 2012. This includes glitchy treble noises added in the background by myself. The show ended up being cancelled due to the band's lead singer being hospitalized. It was rescheduled for some later time that I remember being at but not when it was, but I know it was obviously before I graduated in May 2014 from UMass Lowell with a Bachelor's Degree in Music Business.

lyrics

Kelsey Carr: Alt, plus control, C, tab, ’n…ahh, see get one horn, what’s my number--
Reuben Walton: Editor, Dick DeBartolo, Creative Consultant. Art department, Sam Viviano. Art Director, Nadina Sa--Simon. Associate Art Director, Patricia Dwyer. Assistant Art Director, Ryan Flanders, Brian Derniack and Doug Thompson, Production Artist. Leon--Leonard Brenner…
Deep-Voiced Male Announcer: What towns leave!
Inquisitive Girl: What kind of church is this?
D-V MA: The mystery of its ancient past!
Scared Guy: What the hell’s goin’ on here?!
D-V MA: The mystery of its undying evil!
RW: ...Graphics Consultant. Administration, Paul Levidge, President and Publisher. George Brewer, VP, Design and R--Retail…Product Development. Richard Bruning, Senior VP, Creative Director.
KC: (mumbling)
RW: Patrick Caldon, Senior VP, Finance and Operations. Chris Caramallis, VP, Finance. Terry Cunningham…
KC: He.
RW: VP, Managing Editor. John--Dan Diddio, um, VP, Editorial. Allison Gill, VP, Manufacturing. Rick Johnson, VP, Book Trade Sales. Hank Canals, VP, General Manager, Wildstorm. Um, (sniffles) Lillian Lacerson, (sniffles) Senior VP and General Counsel. (Sniffles) David McHillups, VP, Um, Advertising and Custom Publishing. John Nee, VP, Business Development. Gregory Novick--Noveck, Senior VP, Creative Affairs. Ch-Ch-Cheryl Ruben, Senior VP, Brand Management. Bob Wayne, VP, Sales and Marketing. Contributing--Contributing Artists and Writers, the Usual Gang of Idiots. For e--advertising inquiries only, please call (212)-636-5520. For subcrip--sub--for subscription questions, go to the Mad website. All you need is your name and zip code to renew, change your address, give a…gift subscription, change your account..balance and e--expire--expiration dates or go to…Request Mission Issue. Um, just go to www.mad…mad--madmag.com, or call 1-800-4-MADMAG (U.S. and Canada only). Or write to P.O. Box 52345, Boulder, CO, 8..0322-2345. Please do not phone, write, fax or e-mail our..New York office, we’re too dumb to help you here. (distant dishes clanking) Visit our Mad websi--visit our website, madmag.com. How to reach us. Please address correspondence to: Mad, Department 445, 17..hundred--1700 Broadway, New York, NY, 10019. Mad..welcomes reader s--submissions. Manuscripts will not be returned or acknowledged, however, um, unless they are accompanied by a self-addressed, self--self-addressed, stamped envelope. Mad doesn’t read fax--4848--ed reader sub--submissions. Manuscripts will not be returned or acknowledged, however, um, unless they are accompanied by a self-addressed, self--self-addressed, stamped envelope. Mad doesn’t read faxed s--submissions. Fax Mad at (212)-506-4848. Pulp Fictions..Presents: The Good, the Bad, and the Harry. Harry Johnson™. The 2-issue comic book..miniseries. Um, look for the world’s zaniest uncouth sl--sleuth, in the July and August issues of Preduce. More Powers than--(small cough) than..Austin! More Flash than Gordon! More Dick than Tracy! Copyright 2004 Pulp Fiction Incorporated. Created and written by Charles Fulp, um, package weasured by--measured by..mate, measured by weight not volume--not by volume. Some settling of contents may have occurred during shipping. See store for details. Lather, rinse, repeat. Buy this book or else! Um, Pulp Fiction dot--Fulp--(sotto voce) Fulp Fiction Presents. (normal voice) Fulpfiction.com. Comic..shop locator service. Comics, 888-Comic..Book. Comic..shoplocator.com. The Fundalini Pages! (coughs) (Musical Interlude)
Casey Smith: And they--they know that they made a lot of money in Rich’s show last year--er--
Unknown VPAC Member: Yeah.
CS: last year, so…
UVPACM: Yeah, I already told them that.
CS: …compared with last year. So, ah-it-it’s an ex--it’s extra money in their pockets after they just did the tour, you know? They might even be suff--not suffering for money after the tour, but, you know, so, it’s like…
LeAnne Piepiora: What we should take them…
CS: Well, yeah, it’s just, like, they tr--they--and they know it’s cool here, you know, they’ve been playing here the last, you know, few years, they like it.
Justin Cole: Yeah.
CS: I think they’ll go for that.
LP: Yeah.
CS: I mean, they’ll probably--they’ll probably want the few thousand dollars, um, in Fox. They’ll go for that, I think, over--
Cam Tanguay: Yeah.
CS: Um, ‘cause they--‘cause they’re doing Boston, and they’re doing Northampton, which is, you know, we’re right smack dab in the middle…
CT: Yeah, yeah.
LP: Yeah.
CS: …of those two close places.
CT: Yeah (indistinct).
CS: So, they’re--we’re not gonna get much public draw. No one’s gonna wa--wanna go to a college to s--well, I mean, granted, it will be a lot cheaper. Um…
UVPACM: Yeah, that’s true.
CS: And, people will still go to Boston events.
UVPACM: Yeah.
CS: It’s at the Paradise and stuff like that, we can’t compete with that. So...
CT: Alright! Uh, Justin, go!
JC: Well, we should put the barriers out, and then maybe in addition to cut down the..cost, we could do a floor show. Know--we know that they’re gonna do it--they’re gonna do that anyway. And that might be, like, a chance--and I-I know it’ll still look like a gym, but that might be a chance to kinda, like, broke this set on it with--
CS: Wait, where could we do this?
LP: A floor show.
JC: Uh, Cumnock.
LP: Yeah. Put the barrier--you know, put the barriers out. That’s, like, space, and then just move it down from the stage. Because, like, we know they’re gonna be having cross to right--
LP: And that was sweet when they did that last year!
JC: And that might--that might be a r--yeah, and that would, like, that would create, like, a really cool intimate, thing, kind of like a coffeehouse type of thing, and I don’t know, I feel--I feel like it would fit that thing, that--that, vibe, I guess, and, like, it would make the place seem a lot more packed and, I don’t know, have them fighting over it…
Dan Sullivan: (laughs)
JC: …even in the middle of the crowd, or, actually in front of, like, a sitting crowd…
CT: Yeah.
CS: We could make this, like, “A Night with Good Old War” type of thing, and have people sign up for it. Like, you have to be the first…one, like one-fifty to sign up, you know, and those are the people that get the wristbands. Like, you have to sign up, you know?
CT: I like that.
CS: You know? So, like...
JC: Have the audience sit, and then maybe give them, like, a couple stools, in front of the stage, or something, in front…
CS: Not even, no--not even sit, like, we want people dancing.
JC: Okay, so put them on the stage, the stage…?
CS: No, not on the stage, no, just, like, a normal show, but, like…
LP: I think that part of it is that it’s only stat--
CT: Casey’s back where The Common is, so…
CS: No, we’re at the common.
JC: Ohh! I’m sorry. (laughs)
CS: We’re talking about the issue, it’s--the-the only problem with The Common is that there might not be enough space to have everybody in for free. So, I’m saying, like, you--we send out an adver--like, an advertisement, invite--Facebook invite, blah blah blah, whatever, like, as much as we can, and we say, like, the first a hundred and fifty people up--to sign up for this, like, e-mail, sign up, like, will get into the show, like, you have to sign up. It’s just, like, first come, first serve. They’re doin’ it like All Meets Bob, like Old Meets Music, like, you know, Good Old War featuring go there, they’re playing one time, and you have to, like…
LP: So how are people gonna try and go and topple them?
JC: But, even if--even if we’re not charging money, can we still open off part of…
CS: Yeah! It’s just you have to sign up, y-yeah.
JC: Yeah, y--can we still, like, separate The Common?
CS: No, you wouldn’t...
CT: (indistinct)

credits

from Bits and Pieces, released August 19, 2012
Vocals by Reuben Walton, Kelsey Carr, Deep-Voiced Male Announcer, Inquisitive Girl, Scared Guy, Casey Smith, Unknown VPAC Member, LeAnne Piepiora, Justin Cole, Cameron Tanguay and Dan Sullivan.
Lyrics written or supplied by Reuben Walton, Kelsey Carr, Deep-Voiced Male Announcer, Inquisitive Girl, Scared Guy, Casey Smith, Unknown VPAC Member, LeAnne Piepiora, Justin Cole, Cameron Tanguay and Dan Sullivan.
Composed by Reuben Walton
Produced by Reuben Walton
Recorded by Reuben Walton
Edited by Reuben Walton
Mixed by Reuben Walton

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Reuben Walton Falmouth, Massachusetts

Reuben Walton is a singer/songwriter and music producer based in Falmouth, MA. He is a graduate of Musicians Institute in Hollywood's Independent Artist program and their Electronic Music Production program, as well as UMass Lowell’s Music Business undergraduate program.
In 2019 he put out a self-titled EP working with producer AVLI Music and is now regularly releasing new music.
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